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The Knife 2.0 (2024)

a one (indigenous) woman show


13-15 December 2024
(Still a (Pangcah) woman solo show.)
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Sawmah, an ordinary Pangcah woman who yearns for a simple life in the city, impulsively steals her deceased grandfather's hunting knife from his funeral and brings it back to Taipei.
However, upon returning to Taipei, Sawmah realizes that the knife is taboo in her tribe and forbidden for women to touch.
When the forbidden hunting knife rolls out of Sawmah's suitcase and gets stuck in her room doorway—

 * Can Sawmah still go to her crucial job interview tomorrow?
* Will the ancestral spirits really protect her?
* Will misfortune befall her because she has accidentally touched her grandfather's knife?
* If she's touched it once, will touching it again bring more bad luck?
* But the knife is now lying on the floor of her small attic apartment in Datong District, Taipei. If she doesn't touch it, will it have to stay there forever?
She can escape the tribe, but she cannot escape the taboo.
How will Sawmah ever get out?

As Sawmah's hand touches the knife she has seen since childhood, the knife that has tasted blood, nourished her and her family, the knife both familiar and distant, she suddenly understands — the taboo of the hunting knife will haunt her for a very long time. And her already complex relationship with her tribe is destined to become even more entangled.

Partnered with @prologuecenter 
Photos by @aaron_lhk

HOW ROMANTIC: A GUIDE TO MODERN PANGCAH LIFE

a one (indigenous) woman show

Since 2018, Ihot Sinlay Cihek has been actively tracing her own cultural roots, attempting to tease out the barriers and contradictions she has experienced as a contemporary Pangcah woman as she revisits the Pangcah tradition, exploring a contemporary indigenous youth’s return to the tribe and the estrangement she experiences. How Romantic: A Guide to Modern Pangcah Life stems from the artist’s return to her own native tribe after living in the city for years. As she observes the trend of cultural revival carried out by young indigenous people who return to their tribes, through their interactions with families and tribespeople, she notices their difficulties and awkwardness when trying to blend in. With poignant humor and sarcasm, the production questions sharply about the negotiation between contemporary indigenous tribes and modern capitalism, as well as the strategies and nostalgia of indigenous cultural workers.

Directing: Text
第21屆台新藝術獎入圍作品-《我好不浪漫的當代美式生活》選自部落劇會所「你有幾分熟:3OLO聯演計畫」 / Ihot Sinlay Cihek(卓家安)藝術家訪談
05:12
13 我好不浪漫的當代美式生活 15min精華 0516   HD 1080p
17:25
Directing: Video Player

How Romantic: A Guide to Modern Pangcah Life
Production Team

Producer/Playwright/Director/Actor| Ihot Sinlay Cihek
Executive Director|Peng Hsu
Executive Producer|Ni-Hsuan Wang,  Hsin-Yu Nian
Marketing Specialist| Miling'an Batjezuwa
Visual Designer| Navi Matulaian
Stage Manager|Chi-yi Chang
Set Designer|Yi-Fang Chung
Lighting Designer| Chun-Yen Huang
Live Sound Engineer| Hsu-Hua Chen
Featuring Music Artists|Sung-En Chien、Ping-Heng Tsai、Kacaw Iyang、Sayun Nomin、Yen-Ling Hsu
Dramaturg|Li-Sheng Chang、Yun-Ting Chu、Hsuei-Ming Li、Yen-Ling Hsu
Still Photographer|Hsin-Che Li、Marang
Filming|Yen-Hung Chen

Directing: Text
Directing: Gallery

©2022 by Ihot Sinlay Cihek. Proudly created with Wix.com

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